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As one of film makers, and also as one
of people who are interested in moving images, I have
doubted the projecting style performed in the fixed space
like a movie theater. Everyone turns to the same direction,
sitting on a chair, and being enforced to go out when
the show time finishes. The limited appreciation method
in the limited space. But, in the space like a club, very
much satisfying image / sound system cannot be desired.
I think there are many people except me who feel "Can't
we enjoy the image on a large screen more freely?"
In this exhibition, we were specially particular about
the texture of all the factors (moving images, sounds,
space). About the moving images, we were particular about
whether the color and operation which the artist wanted
to express have projected on the screen correctly. As
solution to that, I think that the overwhelming visual
experience was provided by projecting the image to 4 huge
screen with the projector which have a capacity of 3700
lumen. About the sound, we realized the 5.1ch audio environment
using speakers of the best quality of the world. In this
system, visitors can feel wrapped by the beautiful sound
wherever they stand in the hall. About the space, we took
care of the planning so that visitors could enjoy the
image wherever they are in the hall. Moreover, I thought
the space not the place merely to "appreciate"
images but the place itself being enjoyable and comfortable.
So, we set inside of a 4 screen a sofa like a living room
and outside living bluegrass.
I hope the visitors to bring the exhibition itself as
one experience including tactile and smell sense.
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Filmmaker / Curator / CEO of 2dk Co.,
Ltd.
In Tokyo at a base, he have engaged in plans and works
of many publications, image works, exhibitions etc. in
West and Japan and crosses markets and media boldly and
plays an active part in them. In the summer in 2002, planned
, he curated, produced and directed the contemporary art
exhibition "TOKYO ART JUNGLE" and "TOKYO
ART TRAIN" (the exhibition using one entire 11-car
train of the world's busiest train line, the East Japan
Rail Yamanote line). In the spring in 2001, he collaborated
the direction of the film named "H_story"(directed
by Nobuhiro Suwa), which was awarded "Un Certain
Regard" at Cannes Film Festival 2001 and was officially
invited to Hong kong International Film Festival 2001.
In the summer of 2001, he proposed and co-curated (with
P.S.1 Adjunct Curator Kazue Kobata) the exhibition "Buzz
Club" at P.S.1/MoMA.
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Curator / Filmmaker / Writer / Lecturer
David d'Heilly's multi-disciplinary audio-visual and print
studio in Tokyo.
2dk has curated media art, architecture, moving image
and contemporary art, both in independent spaces and major
institutions on three continents, involving over 200 artist
groups in two years. Our trans-genre curation policy has
achieved a most favorable reputation. 2dk is proactive
in introducing the latest Japanese artists to overseas
audiences. Taking advantage of our worldwide network,
2dk performs without borders. As for our film projects,
2dk has worked in film and television internationally,
presenting TV in Japan and Italy; co-directing feature
films; and producing/directing our own television series.
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